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Filmography

Ye yan (2006)

A loose adaptation of Hamlet, "The Night Banquet" is set in an empire in chaos. The Emperor, the Empress, the Crown Prince, the Minister and the General all have their own enemies they would like to finish off at a night banquet.

 

 

Memoirs of a Geisha (2005)

In 1929 an impoverished nine-year-old named Chiyo from a fishing village is sold to a geisha house in Kyoto's Gion district and subjected to cruel treatment from the owners and the head geisha Hatsumomo. Her stunning beauty attracts the vindictive jealousy of Hatsumomo, until she is rescued by and taken under the wing of Hatsumomo's bitter rival, Mameha. Under Mameha's mentorship, Chiyo becomes the geisha named Sayuri, trained in all the artistic and social skills a geisha must master in order to survive in her society. As a renowned geisha she enters a society of wealth, privilege, and political intrigue. As World War II looms Japan and the geisha's world are forever changed by the onslaught of history.

 

 

Zu Warriors (2005)

Set in ancient times, immortals train for hundreds of years to perfect their martial arts and bring themselves closer to Nature. However an evil force is threatening their existence on the mountains of Zu and they must band together to fight back, with the help of a mysterious mortal woman.

 

 

2046 (2005)

2046's story picks up right by the end of In The Mood For Love: after Su Lizhen (Maggie Cheung) leaves, Zhou Muyun (Leung Chiu-Wai) becomes a very lonely writer. He meets a prostitute (Zhang Ziyi) and spends a night with her at room 2046, the very same room he had an affair with Su Lizhen. Then he starts writing a novel called 2046, in which he reunites with Su Lizhen. Chang Chen and Lau Kar-Ling play a couple of lovers; Wong Yaye and Kimura Takuya plays a pair of robot lovers. They are all characters in the book, and they are all from the future. It is sort of a sequel to In the Mood For Love.

 

 

House of Flying Daggers (2004)

Near the end of the Tang Dynasty, police deputies Jin (Kaneshiro) and Leo (Lau) tangle with Mei (Ziyi), a dancer suspected of having ties to a revolutionary faction known as the House of Flying Daggers. Enraptured by her, the deputies concoct a plan to save her from capture, and Jin leads her north in what becomes a perilous journey into the unknown.

 

 

Purple Butterfly (2004)

Itami, a young Japanese man, falls deeply in love with Cynthia, a beautiful Chinese girl. Their brief happiness ends when he is called home for his military service and they are forced to part. Three years later, Shanghai has been unofficially occupied by Japan. Cynthia - now known as Ding Hui - is working for Purple Butterfly, a resistance group planning to assassinate Yamamoto, head of the Japanese secret service. Itami is also in Shanghai, operating as a secret agent and reporting directly to Yamamoto.

 

 

Hero (2004)

In a distant war torn land, a ruthless emperor is rising to power with an iron fist and his massive armies. To control everything, he will stop at nothing. International action star Jet Li is a fearless warrior with no name on a mission of revenge for the massacre of his people.

 

 

Musa: The Warrior (2001)

Set in 1375, this Hong Kong epic cost $60 million to make, and stars Zhang Ziyi (CROUCHING TIGER, HIDDEN DRAGON). A captured princess is the only chance for survival that a group of Koryo soldiers have, and they are prepared to risk everything for her. Set to a backdrop of struggling beaurocrats from Koryo attempting to make peace with China, and some epic, intense battles, this is an intense journey into the heart of one countries struggle for independence.

 

 

Rush Hour 2 (2001)

Crime fighting has never been so hazardous--or funny. Chopsocky action star Jackie Chan reteams with motormouth Chris Tucker in this RUSH HOUR sequel as the mismatched cop duo investigate several bombings in Hong Kong attributed to Chinese gang leader Ricky Tan (John Lone) and assassin Zhang Ziyi, whose beautiful, balletic kick packs a head-ringing wallop. A fish out of water in exotic Hong Kong, Tucker talks his way into reams of trouble, saved time and again by Chan's frantic fighting. Though the two detectives are taken off the bombing case, unpaid debts between Chan and the criminals lead the detectives back to the U.S. and into the middle of an international counterfeiting racket that only Chan and Tucker can expose.

 

 

The Road Home (2001)

City businessman Luo Yusheng returns to his home village in North China for the funeral of his father, the village teacher. He finds his elderly mother insisting that all the traditional burial customs be observed, despite the fact that times have changed so much. Yusheng realizes that his mother's wishes must be respected. On the day of the funural more than one hundred of Changyu's former pupils turn up to carry the coffin - and none of them will accept payment. Before returning to the city, Yusheng symbolically honors his father's dearest wish: He spends one day teaching in the village school.

 

 

Crouching Tiger, Hidden Dragon (2000)

Known for making films about familial relationships, director Ang Lee surprised everyone with his martial arts epic CROUCHING TIGER, HIDDEN DRAGON. Based on a novel by Wang Du Lu, CROUCHING TIGER starts with the revenge plot common in the wuxia stories that Lee loved as a child, then adds a feminist twist. Li Mu Bai (Chow Yun Fat) is a legendary martial artist who has decided to pass on his sword, the Green Destiny, to a friend. Soon afterwards, the sword is stolen by a masked female, setting in motion events that test the bonds of family, love, duty, and sisterhood. Chow appears with three generations of female stars: Cheng Pei Pei, a 1960s action heroine; Michelle Yeoh, the beauty queen turned 1980s action goddess; and newcomer Zhang Ziyi, who smolders as the princess who wants more than domestic tranquility. Famed action choreographer Yuen Wo Ping (THE MATRIX) stages jaw-dropping zero-G fights across rooftops, rivers, and bamboo trees, while Yo Yo Ma punctuates the fisticuffs with dramatic cello solos. Described by Lee as "SENSE AND SENSIBILITY with martial arts," CROUCHING TIGER recalls the best wuxia films of the 1960s and pushes the genre in new directions.

 

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