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Filmography
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Untitled Jackie Robinson Project (2006)
The life story of Jackie
Robinson and his history-making signing with the Brooklyn
Dodgers.
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Charlotte's Web (2006)
Wilbur the pig is scared
of the end of the season, because he knows that come that
time, he will end up on the dinner table. He hatches a
plan with Charlotte, a spider that lives in his pen, to
ensure that this will never happen.
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Aloft (2005)
Two men tackle a series of
adventures while tracking the international flight path of
the North American peregrine falcon.
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An
Unfinished Life (2005)
A rancher reluctantly
takes in his abused daughter-in-law and her unruly 12
year-old, and they soon learn to forgive each other in
order to heal old wounds.
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The
Clearing (2004)
Wayne (Redford) and Eileen
(Mirren) Hayes live the American Dream. Together they've
raised two children and struggled to build a successful
business from the ground up. But there have been
sacrifices along the way. When Wayne is kidnapped by an
ordinary man, Arnold Mack (Dafoe), and held for ransom in
a remote forest, the couple's world is turned inside out.
Eileen finds her home full of FBI agents, their life under
scrutiny. While Wayne is engaged in the negotiation of his
lifetime, Eileen works frantically with the FBI to secure
his release. The terrifying ordeal causes Wayne and Eileen
to reassess their marriage and come to a deeper sense of
their commitment to each other. With each passing hour,
the need and desire for Wayne to return home safely
becomes ever more urgent.
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Spy
Game (2001)
Complications arise on the
last day of work for a veteran CIA agent (Robert Redford)
when he must organize the rescue of a young protege (Brad
Pitt) who has been captured by the Chinese while on a
personal mission.
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The
Last Castle (2001)
The Castle - the unlikely
last stop in the brilliant career of three-star General
Irwin (Robert Redford). Court-martialed and stripped of
his rank, Irwin has been sentenced to the maximum security
military prison, which is run with an iron fist by its
warden, Colonel Winter (James Gandolfini). Winter can't
help but respect the once-legendary general, but it isn't
long before that respect turns to resentment and then open
hostility as Irwin continually confronts the warden on his
methods. Setting out to break Irwin by whatever means
necessary, the colonel's tactics only fuel Irwin's
defiance and cause the other prisoners to rally behind the
general in his new mission: to seize control of the prison
and remove Winter from his command. The men imprisoned in
The Castle have been told that they are no longer
soldiers...but they are about to prove that they can still
fight a war.
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New
York in the Fifties (2001)
The soundtrack was jazz,
the drug of choice was booze, the paper of record was The
Village Voice, and the written word was sacred. When Dan
Wakefield moved from Indiana to New York City, he became
part of a growing thriving culture in Greenwich Village
that revered men like Norman Mailer and James Baldwin.
Wakefield fell in with this crowd, these creative
hipsters, these men and women who forged the way for the
social protest movement of the 1960s. Betsey
Blankenbaker's NEW YORK IN THE FIFTIES, based on
Wakefield's memoir, combines old footage and photos of
heroes like Mailer, Baldwin, and Jack Kerouac with
contemporary interviews with people like Robert Redford,
Bruce Jay Friedman, Ted Steeg, Joan Didion, and John
Gregory Dunne, who were part of that vibrant scene. The
film captures that period's expectant, hopeful feeling.
These were people who knew that their collective
intellect, and their artistic passion, would change the
world. But the core of the story is Wakefield's, and
despite the title, this is a very personal and touching
account of that one young man from suburbia finding his
mentors, and his true calling, in the big city.
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The
Legend of Bagger Vance (2000)
Set in 1931 in the
southern United States, THE LEGEND OF BAGGER VANCE, based
on the book of the same title by Steve Pressfield, is a
timeless tale of a golf, friendship, and the lessons of
life. Rannulph Junuh (Matt Damon), a World War I war hero,
is invited to play in a 36-hole golf tournament to
celebrate the opening of a new golf course. Feeling that
his game is a bit rusty, he turns to Bagger Vance (Will
Smith) for instruction and advice and ends up learning a
lot more than a few new strokes. Directed by Robert
Redford (A RIVER RUNS THROUGH IT), the film is narrated by
Jack Lemmon, who also makes a brief appearance as a
veteran golf champion.
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The
Horse Whisperer (1998)
Robert Redford directs
this compelling story of 14-year-old Grace MacLean (Scarlett
Johansson), who is emotionally and physically scarred
after suffering a terrible accident while riding her
prized horse, Pilgrim. Desperate to help her daughter,
Grace's mother, Annie (Kristin Scott Thomas), a
high-powered magazine editor, launches an all-out campaign
to find a horse whisperer, someone with a unique gift for
curing troubled horses. She learns of Tom Booker
(Redford), who works to rebuild all the lives shattered by
the accident. Love blossoms between the horseman and the
uprooted sophisticate, resulting in unexpected
consequences. The film was based on the popular novel by
Nicholas Evans.
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Up
Close and Personal (1996)
Aspiring on-air reporter
Tally Atwater (Michelle Pfieffer) may be lovely and
ambitious, but she lacks talent. That changes, however,
after Warren Justice (Robert Redford), a former White
House correspondent turned Miami news director, discovers
her. As he carefully guides her career to new heights,
Warren and Tally become increasingly attracted to each
other, and begin a romance. Soon, a star is born in Tally,
who rises through the ranks of network news - while
Warren's once-stellar career sinks into the depths of
mediocrity. Furthermore, Tally's ascension takes her away
from her lover/mentor, when she is forced to relocate to
Philadelphia. Tally struggles to stay afloat at her new
assignment while dodging jabs from Marcia McGrath (Stockard
Channing), a veteran warhorse reporter who jealously
protects her position as number one. Finally Warren turns
up to inspire Tally and the two partners begin a new
career together. However, on a routine assignment in a
Philadelphia prison Tally and her cameraman are taken
hostage in a prison riot and forced to endure hours of
intense violence.Tally bravely covers the groundbreaking
story from within the walls of the collapsing prison as
Warren looks on from outside, guiding her through her
first national broadcast. This incredible act of bravery
leads to Tally's eagerily anticipated advancement to a
national network newscaster position and the continuation
of the dynamic duo's rise to fame.
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Indecent
Proposal (1993)
Longtime sweethearts David
(Woody Harrelson), an architect, and Diana (Demi Moore), a
real estate agent, find themselves on hard times when
financial troubles bring them to the verge of losing their
house, which David designed. Taking their last $5,000,
they go to Vegas in hopes of multiplying their money. Luck
fails them, but they are faced with a major moral dilemma
when billionaire John Gage (Robert Redford) spots Diana in
the casino and offers her $1,000,000 to spend the night
with him. What ensues causes them to question their
relationship more than anything they've ever encountered.
Based on the novel by Jack Engelhard.
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A
River Runs Through It (1992)
Fly-fishing figures
prominently in this poignant tale of two brothers growing
up in Montana in the early 20th century under the stern
rule of their minister father. While both boys rebel,
Norman (Craig Sheffer) channels his rebellion into
writing, but Paul (Brad Pitt) descends onto a slippery
path of self-destruction. The beautiful scenery of Montana
is used to full effect with the awesome cinematography of
Philippe Rousselot. Directed by Robert Redford, this
adaptation of Norman Maclean's classic autobiography also
features Tom Skerritt and Brenda Blethyn as the Reverend
and Mrs. Maclean.
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Sneakers
(1992)
Story about a team of
security experts who naively enter into a covert
government operation after their leader is blackmailed.
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Havana
(1990)
Sydney Pollack directs
Robert Redford as Jack Weil, a high-rolling poker player
who is trying to make a big score in 1958 Havana, a
pleasure seeker's paradise on the verge of revolution.
Although excited by the prospect of gambling in a risky
environment, his plans are turned upside down when he
stumbles into Bobby, the beautiful enigmatic wife of
Arturo Duran, an impassioned revolutionary, resulting in a
move that threatens his last chance for the big score.
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Legal
Eagles (1986)
A sophisticated comedy
starring Redford as an assistant district attorney who
teams up with an eccentric lawyer played by Winger, to
defend a girl accused of theft. While gathering evidence
throughout Manhattan they get drawn into New York's
glittering art world and seedy underworld, targeted for
murder by a cutthroat killer.
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Out
of Africa (1985)
Adapted from Isak
Dinesen's novel, OUT OF AFRICA, this film plaintively
tells the story of two troubled adults who meet and fall
in love in the African wilderness. Karen Blixen-Flecke (Meryl
Streep) is a modern woman, caught in the shortcomings of a
practical marriage. Finch Hatton (Robert Redford) is a
gallant British hunter, lonely, but unable to commit. As
they two meet and begin a torrid affair, they set out on
an epic adventure in the badlands of Africa--an adventure
that real-life Karen Blixen-Flecke would later novelize
under the pen name Isak Dinesen.
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The
Natural (1984)
A once promising young
baseball player returns to the mainstage fifteen years
later in an attempt to restart his career after battling
the demons of his past. But, it is the choices he makes
with the women in his life that could lead to his downfall
again.
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The
Sun Dagger (1983)
Robert Redford narrates
this documentary about the stone monument that has been
called "America's Stonehenge." Mythologist
Joseph Campbell joins him.
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Brubaker
(1980)
When Brubaker (Robert
Redford) comes to a small state prison to be its new
warden, he's horrified by what he sees. Prisoners are sold
as slaves, and even decent food can't be obtained without
cold, hard cash. So the enraged warden tries to set
matters right...but the more he reforms, the more enemies
he makes with the townspeople who have benefitted from the
corruption. Soon Brubaker's in big trouble--and it looks
as if no one is powerful enough to help. This powerful
drama received an Academy Award nomination for Best
Original Screenplay.
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The
Electric Horseman (1979)
Sydney Pollack directs
this wonderful star-driven romp. Robert Redford plays
Norman "Sonny" Steele, a former rodeo star who
winds up working in a demeaning job in Las Vegas for a
massive corporation, AMPCO. Sonny learns that his employer
has purchased a $12 million racehorse as part of a merger.
To protect the horse from being drugged with tranquilizers
and generally mistreated, he steals it, freeing both
himself and the horse. This sparks the curiosity of savvy
broadcast journalist Alice "Hallie" Martin (Jane
Fonda), who follows after him. Soon Fonda catches up to
Redford and discovers the personal and political logic
behind his choice to return the horse to its native
grazing land far from the clutches of corporate greed.
Aware that Sonny’s wishes for the horse are the same
ones he has for himself, she falls for him. The film is
packed with beautiful scenery in remote western settings.
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All
the President's Men (1976)
Covers the period from
1972-1974; Produced and released in 1976.
With ALL THE PRESIDENT'S MEN, director Alan Pakula adapts
the best-selling book by Bob Woodward and Carl Bernstein.
Pakula created a film that takes its place among such
important conspiracy dramas as THREE DAYS OF THE CONDOR
and THE MAN WHO KNEW TOO MUCH. The focus is on the 1972
investigation of the break-in to the Democratic Party
headquarters, otherwise known as the Watergate burglary.
Through a complicated web of intrigue and secrecy that
eventually involves the highest levels of government,
hungry young journalists Woodward (Robert Redford) and
Bernstein (Dustin Hoffman) of the Washington Post
aggressively examine the incident, uncovering information
that ultimately leads to the resignation of President
Richard Nixon. Exceptional performances by Redford and
Hoffman are complemented by Jason Robards as the dubious
but supportive executive editor at the Post, and Hal
Holbrook's celebrated characterization of mysterious
informer Deep Throat. The pacing of the film is quick and
exciting, drawing viewers into the action of one of the
most intriguing mysteries in all of American political
history.
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The
Great Waldo Pepper (1975)
Following the enormous
success of THE STING, George Roy Hill finally had the
freedom to make this film about the romance of aviation,
which had been a cherished project of his for years. It
stars Robert Redford as Waldo Pepper, a former WWI pilot
who, in 1926, is barnstorming across the country in a
Curtiss JN-4 biplane, doing stunts for a living. He
exaggerates his wartime heroics, as much to fulfill his
own fantasies as to drum up business, claiming to have
engaged in a dogfight with ace German fighter pilot Ernst
Kessler (Bo Brundin). His closest friend, Ezra Stiles, is
working on the design of a monoplane that can perform the
perilous outside loop, which Pepper intends to be the
first to execute. With public interest in stunt flying on
the downslide, the pilot is forced to partner with
good-natured former competitor Axel Olsson (Bo Svenson).
But things still remain tough for the pilots, leading them
to join a flying circus. When tragedy strikes, Pepper must
answer to aviation authorities. The film, well executed on
every level, features extraordinary stunt flying, mixing
slapstick with a darker drama about the crippling effect
of adolescent fantasy.
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Three
Days of the Condor (1975)
Sydney Pollack directed
this thriller in which Robert Redford plays Joe Turner, a
bookwormy CIA employee who finds himself a hunted man
after a triple-cross. Faye Dunaway is Kathy Hale, the
innocent woman who is forced to shelter Redford in her
home. Hale eventually comes to believe Turner’s wild
story as he searches desperately through his friends and
co-workers for someone he can still trust. The screenplay
is based on the novel SIX DAYS OF THE CONDOR by James
Grady.
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The
Great Gatsby (1974)
Jack Clayton's version of
THE GREAT GATSBY was adapted for the screen by Francis
Ford Coppola from F. Scott Fitzgerald's 1925 masterpiece
about a handsome and enigmatic tycoon betrayed by the
American Dream. Though self-made millionaire Jay Gatsby
(Robert Redford) has been in love with the spoiled Daisy
Buchanan (Mia Farrow) since his days as a poor boy in the
Midwest, she's now married to a boorish philanderer (Bruce
Dern) and seems more out of reach than ever. Gatsby's
attempts to win Daisy back result in his tragic downfall,
as witnessed and narrated by his neighbor and friend Nick
Carraway (Sam Waterston). The result is a richly
successful evocation of the Jazz Age and a tragic portrait
of shallow lives ruined by wealth, brilliantly acted by
Redford, Waterston, Dern, and the rest of the supporting
cast.
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The
Way We Were (1973)
Sydney Pollack directs
Robert Redford and Barbra Streisand in this sensitive and
moving tale of the romance of two individuals whose
political ideologies are exact opposites. Streisand won an
Academy Award nomination for her performance as Katie
Morosky, a Jewish student radical who falls in love with
Hubbell Gardner (Redford), a conservative privileged
writer. The two interact from the beginning of their
college courtship through the Hollywood-blacklisting era
of the 1950s.
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The
Sting (1973)
Set in 1936, a masterful
group of con artists arrange an epic "sting"
operation to pay back a big Chicago gangster for the
murder of a small-time grifter. Shaw as the mark is
formidable. Marvin Hamlisch's score of Scott Joplin tunes
created a revival of ragtime music. Academy Award
Nominations: 10, including Best Actor--Robert Redford.
Academy Awards: 7, including Best Picture, Best Director,
Best (Adapted) Screenplay.
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The
Candidate (1972)
Michael Ritchie once again
shows his impressive ability to tackle new genres, after
DOWNHILL RACER and PRIME CUT, with THE CANDIDATE, a
scathing depiction of the hypocrisy and complexity in the
American political world.
Bill McKay (Robert Redford), an idealistic young lawyer
and son of a famous governor, is pressured into running
for the United States Senate against the popular
incumbent, with the assurance that he will lose and not
have to give up his integrity or ideals. However, as the
campaign deepens, he finds himself giving in, allowing
himself to be manipulated as the polls slowly change and
swing in his favor. Soon his backers decide that they want
him to win after all. By the time Election Day arrives,
McKay has become the person that he used to speak so
vehemently against. Working from an Oscar-winning script
by former Eugene McCarthy speechwriter Jeremy Larner,
Ritchie films THE CANDIDATE with a heavy dose of
semi-documentary realism that makes for an emotionally
impacting experience.
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The
Hot Rock (1972)
THE HOT ROCK is an
hysterical heist picture in which a sophisticated gang of
thieves (including Robert Redford, George Segal, and Zero
Mostel) falls victim to a slapstick comedy of errors while
trying to lift a giant diamond from a heavily guarded
museum. The screenplay by William Goldman is based on the
novel by Donald E. Westlake.
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Jeremiah
Johnson (1972)
Sydney Pollack directs
this notable picturesque film in which a solitary man
named Jeremiah Johnson (Robert Redford) battles ruthless
Indians, who use him as the target of a long-awaited
vendetta, and the merciless elements of nature, in search
of peace. Set in the mid-19th century, after the Civil
War, the film centers on Jeremiah as he becomes
disillusioned with the ways of his civilization and the
ravages of war, and he sets out determined to survive in
the Rocky Mountain wilderness by himself.
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Butch
Cassidy and the Sundance Kid (1969)
This 1969 Western
encapsulates the genre, with dramatic chase scenes on
horseback through breathtaking landscapes, daring
robberies of banks and trains, true comradery between
cowboys who would risk their lives for one another, and
copious amounts of renegade charm. Butch Cassidy (Paul
Newman) is the smart, savvy leader of The Hole in the Wall
Gang, and his sidekick the Sundance Kid (Robert Redford)
ranks among the best shooters the West has known. This
combination of brains and menace allows the duo to roam
unchallenged, staging petty robberies when needed and
otherwise kicking back at the local brothel. But when a
six-pack of the best cowboys in nearby states gather to
bring down the rebels, using a Native American tracker to
follow them across rivers, over mountains, and through
deserts; Butch and Sundance decide to flee. Gathering
Sundance's girlfriend (Katherine Ross), they make their
way to Bolivia via New York City. Unfortunately, old
habits die hard, and before they know it, the charismatic
criminals find themselves in an all-too-familiar
situation, this time facing South American enemies.
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Downhill
Racer (1969)
Director Michael Ritchie
makes his feature film debut with DOWNHILL RACER, an
adrenaline-soaked sports drama that features another
alluring performance from Robert Redford. Redford plays
David Chappellet, a cocky, undisciplined young skier from
Idaho Springs, Colorado. Flying to Europe to compete with
the United States downhill team, Chappellet stuns the ski
world when he wins his first race. His coach, Eugene
Claire (Gene Hackman), senses the cold reaction from his
teammates, and tries to get Chappellet to become more of a
team player. When it’s obvious that this isn’t going
to happen, he must decide whether or not to let Chappellet
represent his country in the Olympics. In the meantime,
Chappellet finds romance in the form of Carole (Camilla
Sparv), a beautiful young woman who works for a European
equipment maker. Tensions arise when Carole lies about
meeting up with Chappellet in Germany and then acts not to
care that she has abandoned him. This disappointment
provides Chappellet with even more desire to fly down the
slopes and capture the Olympic gold medal. Redford’s
portrayal of the moody, determined Chappellet proves once
again why he is one of the world’s most recognizable
movie stars. The same can also be said for Hackman, who
finds the perfect chemistry in developing his character,
making DOWNHILL RACER a fun film that even non-skiers can
enjoy.
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Tell
Them Willie Boy Is Here (1969)
Willie Boy, a Piute Indian
(Robert Blake) who kills a man in self-defense, becomes a
fugitive from the law. With a massive manhunt gathering on
his trail (led by Robert Redford as the sherriff), he in
turn is forced into becoming the stereotypical image of
the Native American "savage" that led his
accusers to naturally assume he was guilty of the crime.
This stylish, modern, and critically acclaimed Western
with a social conscience marked writer/director Abraham
Polonsky's return to film after having been blacklisted in
the 1950s during the McCarthy witch hunts. Cinematography
is by Academy Award winner Conrad Hall (AMERICAN BEAUTY
(2000)).
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Barefoot
in the Park (1967)
Neil Simon's comedy
features Redford as a conservative young lawyer and Fonda
as his spontaneous bride, roughing it in New York.This was
director Gene Saks' debut. Academy Award Nominations: Best
Supporting Actress--Mildred Natwick.
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This
Property Is Condemned (1966)
Sydney Pollack directs
this steamy melodrama co-scripted by Francis Ford Coppola
from a play by Southern Gothic maestro Tennessee Williams.
Robert Redford stars as Owen Legate, a handsome railroad
official who comes to Depression-era Dodson, Mississippi,
to shut down the local rail yard and lay off its already
struggling employees. When Legate begins a passionate
affair with town flirt Alva Starr (Natalie Wood)--a small
town girl with big dreams of escaping her dead-end
surroundings--the romance angers Alva's domineering mother
(Kate Reid) and ignites the town's economic resentments,
provoking an act of revenge against the lovers.
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The
Chase (1966)
Robert Redford plays Bubba
Reeves, an escaped convict who is returning to the small
Texas town he calls home to visit his wife. Bubba's wife,
the sheriff, and the rest of the town are none too pleased
when they catch wind of Bubba's return. His wife is
cheating on him with Roger, the son of the influential
town oil mogul. The sheriff (Marlon Brando) might be in
the oil mogul's pocket. Roger fears Bubba's wrath, as do
the rest of the people in town, who all have there own
reasons to fear the return of bad Bubba Reeves, ranging
from the paranoid to the extremely justified. Whatever the
reasons, everyone wants Bubba taken care of once and for
all. The sheriff must apprehend Bubba and bring him in
alive, all the time battling the will of the people who
want Bubba Reeves dead.
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Inside
Daisy Clover (1965)
When teenage beachnik
Daisy Clover (Natalie Wood) is discovered by a Hollywood
studio, she has no idea how much her life is about to
change. Daisy instantly becomes a big movie star, going
from rags to riches and enjoying such perks as Hollywood
parties and a romance with a handsome actor. But with
stardom comes turmoil in the form of career pressures,
personal problems, and a disastrous marriage. Soon it all
becomes too much for the actress, and less than two years
after becoming famous, Daisy has a nervous breakdown. Will
Daisy rebound from her emotional collapse and stay in
Hollywood? Or will she rethink her life and leave
Tinseltown for good? A successful child actor herself,
Natalie Wood brings genuine feeling and depth of
experience to Daisy Clover, a character modeled on such
1930s and '40s stars as Shirley Temple and Elizabeth
Taylor. Roddy McDowall, another child star of the '40s, is
featured, and Robert Redford, in one of his first roles,
plays the Hollywood heartthrob a few years before he
acquired that status in real life.
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War
Hunt (1961)
No one is a better soldier
than Pvt. Raymond Endore (John Saxon), at least in his own
mind. Stationed in Korea as the conflict between the
United States and the Asian nation is coming to an end,
Endore sleeps while his platoon works to gear up for his
nightly patrols of the area. These patrols used to bring
vital information, but now they have become a nightly
ritual for Endore to slash the throats of suspected
enemies tolerated by a Captain (Charles Aidman) who fears
Endore's unstable nature. A Korean war orphan (Tommy
Matsuda) befriends Endore as well as an idealistic soldier
(Robert Redford) and these two soldiers must decide the
fate of the child as the Cease-Fire is announced.
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