|
|
Filmography
|
|
|
|
The
Industry (2005)
In large part responsible for
singlehandedly bringing rap music to the mainstream and giving it
staying power, hip-hop mogul Russell Simmons provides a look into
the goings-on behind the scenes with THE INDUSTRY. The
rollercoaster ride of rap is narrated in interviews with such
luminaries of the business as Kanye West, Chingy, Ludacris, and
Andre 3000 among others. We also hear from the astute businessmen
who support, promote, and manage this talent, including Lyor
Cohen, Kevin Liles, LA Reid, Blue Williams, Chaka Zulu, and
Simmons himself. No one knows the industry better than these folks
who make it happen, and this documentary becomes a fascinating
foray into the workings of a world of which the public normally
only sees one side. Replete with concert, backstage, and rehearsal
footage, THE INDUSTRY also features the making of three
Grammy-winning albums: Outkast's SPEAKERBOXX/ LOVE BELOW, Kanye
West's COLLEGE DROPOUT, and Ludacris's CHICKEN-N-BEER.
|
|
|
Kanye
West - Unauthorized (2005)
History in the making, Kanye West
exploded in 2004 with his debut solo album COLLEGE DROPOUT, with
multiple cuts that were ubiquitous on the radio; the album
eventually swept the Grammys later that year. But before his solo
hip hop career, Kanye was producing hits for the likes of Jay-Z,
Lil' Kim, Nas, Alicia Keyes, Brandy, Jadakiss, Janet Jackson, and
many others. This documentary traces his path to the top, showing
how the Chicago rapper breathed a new life into hip hop with work
that eschewed the bling and violence that dominated rap, adopting
instead an appealing wit, humor, earnestness, and imbuing his
lyrics with a charismatic but humble delivery.
|
|
|
Kanye
West: The College Dropout - Video Anthology (2005)
If one man defined the musical
landscape in 2004 it was Kanye West. His album, THE COLLEGE
DROPOUT, sold in excess of 2.5 million copies, and Kanye picked up
a number of awards, including a much-coveted Grammy. Part of his
appeal lay in some innovative video work, not surprisingly
considering the superstar rapper himself has directed videos for
Common and John Legend. On this anthology, promo's for "Jesus
Walks," "Two Words," "Through The Wire,"
and "All Falls Down" are included, alongside other
promotional clips, a documentary, and an alternate take of
"The New Workout Plan."
|
|
|
Jay Z
- Fade to Black (2004)
With the release of his
career-defining THE BLACK ALBUM in 2003, Jay-Z shocked his fans
and the industry by announcing he was quitting the business.
Having honed his rhyming skills in the tough Marcy Projects of
Brooklyn, Jay-Z's story is a classic rags-to-riches tale. Although
best known for his multi-million-dollar selling albums, the rap
impresario has also dipped his toe into corporate waters. His
record label, Roc-a-Fella, has proved highly lucrative, as has his
clothing line, and an excursion into movie production. So when he
relinquished his position at the top of the rap game, the
inimitable performer decided to stage a flamboyant farewell
gesture in the form of a special guest-laden concert at New York's
prestigious Madison Square Garden. Directors Michael John Warren
and Paul Paulson were given the task of catching the festivities
on camera, and also managed to capture some candid snippets of the
star as he prepared for the show. But it's when he hits the stage
that the astonishing breadths of his talents are revealed. Making
the cavernous venue seem intimate via some touching interplay with
the audience, Jay-Z beckons a breathtaking list of hip-hop and
R&B glitterati onto the stage. Among them are Missy Elliott,
Lil' Kim, P. Diddy, R. Kelly, and Beyonce Knowles. The ecstatic
crowd laps up the onstage action throughout, and are clearly
delighted to be invited to one of the grandest parting shots in
history. Since the film's completion, Jay-Z has reneged on his
retirement, and the music world is a much better place for it.
|
|
|
Brown Sugar (2002)
Sidney and Dre can attribute their
friendship and the launch of their careers to one single childhood
instant - witnessing the birth of hip-hop on a New York street
corner. Now, some fifteen years later, she is a revered music
critic and he is a successful, though unfulfilled, music
executive. Both come to realize that their true-life passions will
only be fulfilled by remembering what they learned on that street
corner.
|
|
|