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In childhood, he suffered terrible
poverty and the most painfully rigorous of educations. In his early
career, he was almost cast aside as just another in a long line of
failed Next Bruce
Lees. In perfecting his craft, he's broken his nose three times, and
also cracked his ankle, most of his fingers, both his cheekbones and his
skull (patched together with a steel plate). You can't say Jackie Chan
hasn't paid his dues. But finally, after nearly 40 years in the
business, the guy's reached worldwide stardom. As he always wanted,
pretty much everyone knows his name.
Jackie Chan was born Chan Kong-Sang (meaning Born In Hong Kong) on the
7th of April, 1954, naturally enough in Hong Kong. He was the only child
of Charles and Lee-Lee Chan, having, reports say, spent 12 months in the
womb, finally being removed surgically and weighing 12 pounds (his mum
nicknamed him Pao-Pao, meaning Cannonball). Charles borrowed money from
friends to pay for the operation, turning down the doctor's offer to
take the child in payment. The family lived in a mansion in the
exclusive Victoria Peak district. Not that his parents owned the mansion
- Charles worked as a cook for the French Ambassador, while Lee-Lee was
the housekeeper.
Jackie attended the Nah-Hwa primary school on Hong Kong Island, often
spending his travel money on food and walking home, fighting on the way
with Caucasian kids attending special schools in the area. He was not
academically bright, failing to pass Primary 1 as his peers moved on to
Primary 3. This was noticed by Charles, who decided to enrol the boy,
now 7, at the Peking Opera School, operated by Shu Master Yu Jan-Yuen.
Walking in with his dad, Jackie saw tens
of kids, between 7 and their early teens, somersaulting and playing with
swords and sticks. He recalls that he felt like kids must feel today on
entering Disneyland. He would never return to academic education. Though
he speaks 7 languages, he still cannot read or write with great
proficiency, and has someone else write his scripts for him.
It didn't stay like Disneyland. Charles
now moved to Australia to work at the Chinese Embassy, and Jackie, now
named Yuen Lo, saw the true nature of the Peking Opera School. The
training in music, acrobatics and many martial arts lasted 18 hours a
day. Exercises were brutal, the kids performing headstands for hours on
end. Beatings were commonplace, both at the hands of the Master and the
other boys. Eventually, Jackie's mother left too, to join Charles in
Australia, Jackie being adopted by the single-minded Master.
Being something of a prodigy, Jackie was introduced to public
performance early. He belonged to a school troupe known as The Seven
Little Fortunes, other members including Yuen Biao, Sammo Hung and Yuen
Wah, all of whom would go on to be big names in Hong Kong cinema. In
1988, Sammo would star in Alex Law's Painted Faces, about their early
lives together - the Jackie character being called Big Nose! The film
would show them as young stars of the traditional stage, yet still
grooving to the new sound of The Beatles.
Painted Faces also featured the kids' efforts to break into cinema, not
easy, as everyone treated them as schoolboy non-entities. But Jackie was
lucky. At age 8, he was cast in Big And Little Wong Tin Bar, with the
great Taiwanese star Li Li-hua as his mother. She took to the boy and
had him appear in her next series of features. Good experience, though
his Master took his paychecks.
Leaving school, having been protected from reality for so long, Jackie
took time to adjust. Having studied hapkido, aikido,
tae kwondo, jujitsu,
judo, jeet
kune do, wing chung and many other martial arts, now he took to
soccer, then boxing, then gambling, then pool. There were many 24-hour
pool-halls in Hong Kong and Jackie played hard, often sleeping at the
halls. This was a potential disaster, as these were hang-outs for the
Triads, who'd often attempt to recruit the young boy.
Seeing some of his friends join, and deal
drugs, he attempted to distance himself from the gangs, often by playing
dumb and innocent (his dad's sternest advice had been "No Triads,
no drugs"). There were fights, though. Once he recalls he and two
friends beating up six motorbikers. Fleeing down the street, he heard
his slipper slapping on the ground. Looking down, he saw it was soaked
in blood. His hand throbbing, he noticed a white thing protruding from
his knuckle. Thinking it to be his bone, his tried to push it back in -
to no avail. When it later fell out, he realized it was one of his
opponents' tooth.
Fortunately, he soon got into bowling, the alleys being Triad-free.
Despite great pressure, he would never join them, even when they
attempted to muscle in on the film business. He famously challenged them
to come break up his office, and led a march against them. By then too
famous to be touched, he won the heart of Hong Kong, being henceforth
known as Big Brother.
Jackie's extraordinary athleticism and
inventive stunt-work quickly brought him a lead role, in Master With
Cracked Fingers. This role, where he learns kung fu and eventually uses
it to battles an extortion ring, would set the stage for many to follow.
But for the next couple of years, Jackie would play second fiddle to the
man credited with bringing kung fu to the West - Bruce
Lee - appearing as an extra in both Chinese Connection and Enter The
Dragon. When Lee died, though, in 1973, the path was open. There were
many pretenders - Bruce Li, Bruce Le, Dragon Lee - and Jackie was at the
forefront. It didn't work.
Having searched for a screen persona, as a villain in Rumble In Hong
Kong and a spear-fighter in Hand Of Death (an early John Woo effort), he
took off to spend time with his parents in Australia. This was where he
found his present screen name, having previously been billed as Yuen Lo,
Chen Yueng Lung and Sing Lung (meaning Already A Dragon). Taken down to
work on a construction site by a friend of his dad's, named Jack, he was
asked for his name by his co-workers. Thinking they'd have trouble
pronouncing it, his dad's mate replied "He's called Jack too".
So now he was Jackie Chan.
Returning to Hong Kong, he signed up as lead actor in Lo Wei's film
company, purveyors of fairly poor material (he also signed up with Willy
Chan, still his manager to this day). First there was another attempt to
make him the New Bruce, with the rather obviously titled New Fist Of
Fury. Again, it was a wretched failure. After a few more features with
Lo Wei, he was loaned to Ng See Huen's Seasonal Films for Snake In
Eagle's Shadow. Combining comedy with furious action, this revealed
Jackie's previously unutilised comic strengths and was a hit, followed
by another in the famous Drunken Master, which broke box-office records
in Hong Kong and made Jackie a star across Asia.
Jackie now had power. He co-directed and choreographed Fearless Hyena
for Lo Wei, directed the fast and tellingly silly Young Master on his
own, then signed to the Golden Harvest Company, whose Raymond Chow had
also discovered Bruce Lee. Now it got messy. Threatened both by Lo Wei
and the Triads, he was sent to the US to make The Big Brawl (by the
director and producers of Enter The Dragon), then joined the
star-studded cast of Burt Reynolds' Cannonball Run. Having by now been
bought-out from Lo Wei for 10 million Hong Kong dollars, he returned to
learn the directing craft and create ever more fantastic stunts.
Jackie is a stunt historian, explaining
how Hong Kong stuntmen had always used traditional punches and parries
till Steve McQueen's The Sand Pebbles was filmed there, using many local
workers. It was then that the HK pros learned a new style of hitting and
being hit. Soon, led by the likes of Jackie and John Woo, they would
elevate the stunt to undreamed-of levels and would, of course, be ripped
off by an American industry that inspired them in the first place.
Having, while in the US, discovered the
works of silent stars Buster Keaton and Harold Lloyd, now Jackie
concentrated on a mix of slapstick comedy and terrifying stunt work.
Again he attempted to break America, with 1985's The Protector
(co-starring Danny Aiello) but, again coming over too mean, he failed
once more.
In terms of cinema history, this failure was vital. Films are cheaper to
make in Hong Kong and, with insurance companies less paranoid, more
death-defying stunts can be attempted. Jackie's new picture, Police
Story, certainly tested that limit. Opening with a car chase through a
shanty-town that destroys most of the houses and sends hundreds
scurrying for cover, then ending with an unbelievable fight sequence in
a shopping mall, with more flying glass than you could possibly imagine,
it was utterly incredible, and spawned three sequels.
Then came Armour Of God, an unashamed
Indiana Jones steal that saw Jackie in Europe, battling with shady
Franciscan monks. It also saw him fall 20 feet, hit his head on a rock,
fracture his skull and go into a coma. He only missed a few days of
filming, and would instil the same fortitude in his co-stars. Later,
Maggie Cheung would need 17 stitches in her head after a Jackie stunt.
Didn't stop her either.
The movies kept coming, the comedy getting sillier, the stunts more and
more outrageous. By the time of 1994's Drunken Master 2, Jackie was
scaling unheard-of heights of mayhem. Its seven-minute finale took four
months to film, even though Jackie had brought together his own team of
stuntmen, cameramen and lighting guys, plus a group of super-keen
youngsters striving to move up through the ranks. Jackie claims, with
much justification, that there are far more injuries when you film with
stuntmen unfamiliar to you. With your own team, it becomes "more
like an art, like dancing".
Now, after the illegal street-racing drama Dead Heat, came the final,
and ultimately successful assault on America, with Rumble In The Bronx
reaching Number One (Jackie would be closely followed by John Woo, with
his Travolta-starring Broken Arrow). Here, directed by Stanley Tong and
accompanied by HK pop superstar Anita Mui, Jackie would visit his uncle
in New York, then have to kick his way out of a morass of biker gangs
and police corruption.
Now widening his heroic characters and
consciously making them more international, he reunited with Stanley
Tong for First Strike, which saw him as a James Bond-like cop chasing a crime
from Russia to Australia, trying out new stunts like hanging from a
helicopter and skiing on one leg. He'd remain in Australia to film Mr
Nice Guy with Sammo Hung, playing a Steven
Seagal style super-chef who helps out a TV reporter being threatened
by drug lords. Next, Who Am I? was a return to Bond-ish action as,
suffering from terrible amnesia, he battled dodgy CIA agents in
Johannesburg and Rotterdam. The rooftop finale would yet again push back
the boundaries of martial arts action.
After Rumble In the Bronx, the big leagues were beckoning, and Chan
entered them with style by teaming up with Chris Tucker in the frenetic,
hilarious Rush Hour - itself an Americanization of his own brand of
slapstick buddy movie. Here Jackie's a legendary cop in Hong Kong who
busts a smuggling ring only to have the masterminds escape to the US and
kidnap the Chinese consul's daughter. Chan comes to the States but his
help is not welcome, so the LAPD pair him off with loudmouth renegade
Tucker.Yes, it's 48 Hrs again, but this time the taciturn Nick Nolte
character is a martial arts master and a king of physical comedy. On a
budget of $35 million, the movie took $141 million at the US box office,
a major hit. Jackie had conquered Hollywood at last.
With American filming schedules now toning down his speed of output,
1999 saw him in the failed HK romance Gorgeous, where he played a
millionaire businessman combating a fierce rival and falling for young
Qi Shu. Other than this there were only cameos in Stephen Chow's
brilliant The King Of Comedy, and Benny Chan's HK police roustabout
Gen-X Cops.
His real focus was now in the US and it
quickly brought more success with Shanghai Noon. Set in 1881, this saw
Chinese princess Lucy
Liu escaping a forced marriage by fleeing to America where she's
kidnapped and held to ransom. Jackie goes along with the rescue party
and winds up in a hugely amusing partnership with Owen Wilson, a bank
robber who talks and acts like a modern-day Californian surfer
dude.
The credits would, as so often happened
with Chan movies, show a series of out-takes, mostly of Jackie cocking
up or hurting himself. This would soon be the norm with US comedies,
another way that Chan changed the face of film. Proof of his new-found
status would now come with the hosting of Saturday Night Live and the
delayed US release of 1994's Drunken Master 2 which, made for $2
million, now took another $12 million.
He moved on to another of his Bond-like
escapades in The Accidental Spy. Here he played a bored exercise
equipment salesman who, having become a public hero for foiling a
robbery, discovers he's the long-lost son of a wealthy entrepreneur.
However, daddy's also a spy, and so Jackie decides to follow in his
footsteps. It was typically silly but thrilling and endearing stuff. The
movie was another made for Golden Harvest. Jackie had remained on the
company's board till 1998, enduring a slump in HK cinema, but had left
when his commitments in America became too great.
For the next two years he would concentrate on Hollywood pictures. First
came Rush Hour 2, a predictable sequel set just after the first, with
Chan and Chris
Tucker holidaying in Hong Kong. A bomb in the US Embassy leads them
first to a triad boss and then on to an international counterfeiting
gang based in Las Vegas. It was a terribly flawed production. Jackie
complained there wasn't sufficient time to prepare spectacular stunts,
while Tucker
was allowed free rein to ad-lib with very little quality control.
Nevertheless, on a $90 million budget, it took a whopping $226 million,
with Chan's $15 million raising him into Hollywood's upper echelons.
Next, he'd intended to make Nosebleed, which would have seen him as a
window-cleaner at the World Trade Centre who gets involved in a
terrorist attack. On September 11th, 2001, he was supposed to be filming
on the roof but the script was late so filming was cancelled. As we all
know, many things were cancelled that day.
He instead moved on to The Tuxedo where he played the chauffeur of a
rich secret agent. He's an Ordinary Joe but, when he puts on his boss's
cybernetic dinner-suit, he becomes an all-action dancer and fighter,
joining agent Jennifer
Love Hewitt in a struggle against a corporate villain who intends to
add a weird chemical to the world's water supply that will dehydrate
everyone, thus boosting sales of his bottled water. It was an odd movie
for Jackie, with not much in the way of martial arts or live action
stunts. He'd didn't usually rely on CG SFX. But then he didn't usually
impersonate James Brown onstage either, and that was very funny indeed.
Not one to miss an opportunity, Chan now delivered a sequel to Shanghai
Noon, entitled Shanghai Knights. Here robbers steal the Great Seal of
China, in the process killing its guardian, Jackie's dad. Now the
Sheriff of Carson City, Jackie re-teams with Owen Wilson and sets off
for London in search of the seal and revenge. Another day, another hit.
After an extended jokey cameo in The Twins Effect, a Buffy-style vampire
romp starring Hong Kong Cantopop duo The Twins, Chan moved on to The
Medallion, where enormous power will be granted to anyone who can meld
together the separated halves of a mysterious medal. Julian Sands was
the evil Snakehead with domination on his mind, while Chan was a cop
attempting to foil his plot, with the aid of Interpol agents Lee Evans
and Claire Forlani.
2004 was another big year. After another
cameo in Enter The Phoenix, he starred in a pricey re-make of Jules
Verne's Around The World In 80 Days, the story being re-jigged to make
Chan's Passepartout the hero, rather than Steve Coogan's Phineas Fogg.
Here Chan is a good guy thief, attempting to return a priceless jade
buddha to his Chinese village. Wicked warlord Karen Mok (who earlier
appeared with Chan in The King Of Comedy, The Twins Effect and Enter The
Phoenix) has other ideas. Consequently endangered, Chan seizes on Fogg's
offer to race around the globe and takes the chance to exhibit his
incredible agility and chuckle-raising mugging. Other friends would pop
up throughout, Sammo Hung being one, Owen Wilson another.
Following this came a long-awaited addition to the Police Story cannon,
New Police Story, the first without Maggie Cheung as May. He'd then
deliver Time Breaker, directed once more by Stanley Tong, a comedy
fantasy where he'd join the trend for using Ming-era weapons. Then would
come The Blade Of The Rose, a sequel to The Twins Effect that also
featured the screen debut of his son, Jaycee Fong Cho-ming (also a
musician, Jaycee had recently inked a deal with Sony). The inevitable
Rush Hour 3 would follow soon after.
Jackie has been married to Feng-Jiao Lin since 1983, gaining his son the
same year. There have also been affairs, for Jackie has always worked
and played hard, one being with the former Miss Asia Elaine Ng, with
whom he has a daughter. He actually has a much bigger family than he for
a long time realized. After many years of secrecy, his father would
inform him that his real name was not Chan but Fung (or Fong, depending
on who's saying it). He also, he was told, had two half-sisters in
Australia and two half-brothers in China. Intrigued by this explanation
of events, and also by his parents' turbulent lives during China's
Cultural Revolution, he'd make a documentary entitled Traces Of Dragon:
Jackie Chan And His Lost Family.
He famously works constantly, but puts in a lot for charity too. Helped
himself by the Red Cross as a child, he was told not to repay the giver,
but to spread the charity onwards. He remembers as a young star being
asked to spend a day with sick kids in hospital. Arrogantly giving them
a mere 15 minutes, he arrived to find himself handed a bunch of presents
to give the children, the staff knowing how much it would mean. Seeing
the delight of the children, Jackie was profoundly moved, returning the
next year - with his own presents.
Having achieved worldwide fame, he
decided to split his time pretty much evenly between film and charity
work. 2004 alone saw him pull all his HK star mates into a charity car
race before the Shanghai Grand Prix. He was named Philanthropist for
Children in China after making a massive donation. He was named Goodwill
Ambassador for UNICEF and the Joint United Nations Program on HIV/AIDS,
visiting Cambodia to help clear up landmines, then Singapore and Korea.
He'd help plant forests in China and promote care of the
environment.
Once more he'd gather the stars of Asia
for a show at Las Vegas's MGM Grand, proceeds going to the Self-Help For
The Elderly project and Alzheimer's Center he'd earlier set up in San
Francisco, meaning hundreds more people could be seen to every day. He
set up the Jackie Chan Charitable Foundation Scholarship, then bought a
50-acre plot in Chun Ping, China, hoping to open a school for
stunt-people of all nationalities. Oh, and he found time to open a
restaurant at Ala Moana in Hawaii. And this was just the first HALF of
2004.
It's hard to conceive how popular Jackie Chan is today, now he has
broken the West. Even years ago, he was so big in Japan that many
teenage girls were pulled from railway lines and pumped empty of poison,
having felt the need to die for him. One indicator is that in front of
Mann's Chinese Theatre in Hollywood you'll find the hand-prints of the
legendary Bruce
Lee.
You'll also see the marks of Jackie
Chan's hands, feet and, yes, that big nose. He can't help but go too
far, and people love him for it. 2004 would also see his hand-prints on
Hong Kong's new Avenue of Stars, alongside Lee's and those of such
co-stars as Sammo Hung, Tsui Hark, Maggie Cheung and Anita Mui, who
tragically of cancer that same year at the painfully young age of 40.
And it could yet get bigger. There's still a hoped-for martial arts
blockbuster with fellow megastar Jet
Li, and plans for The Art Of War, based on the 2000-year-old
writings of philosopher Sun Tzu (who's also inspired the all-conquering
Australian cricket team) and set to be most expensive Hong Kong movie
ever.
And perhaps, just perhaps, there will be
Rambo 4. Anyone who knows Jackie's movies knows the debt he owes to Stallone's
Rocky (and the debt Rocky owed to Chan). Appearing in Rambo would
complete a neat circle - though Jackie will NOT be appearing as a drug
baron, as the original script apparently had it. As daddy said, No
Triads, NO DRUGS.~ Dominic Wills