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Jet Biography
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Everyone talks about rock
these days, the problem is, they forget about the roll. How Keith
Richards- who made this comment about post 90's rock music- must love Jet.
They rock like there's no tomorrow yet they also roll like the greats of
yesterday. As their debut album 'Get Born' proves, this Melbourne four
piece, Nic Cester (guitar/vocals), Chris Cester (drums/vocals), Cameron
Muncey (guitar/vocals), Mark Wilson (bass), stand for everything that is
raw, primitive, direct and loose about rock music. Like all the best bands
they trace their influences to the source. I think we were always
interested in tracing the roots of this music, explains Chris. We wanted
to look beyond the sixties and the seventies and find out where that music
came from. That's why we do a cover of Elvis' 'That's Alright Mamma' at
the shows. It's just a natural exploration for us.
Jet are steeped in rock folklore. Like The Kinks, AC/DC and Oasis before
them- all major influences- they feature two photogenic brothers (Nic and
Chris Cester). Their name is on loan from Paul McCartney's frazzled
post-Beatles peak from 1973, whilst their debut E.P. 'Dirty Sweet' (Rubber
Records) took it's name from T-Rex, and in acoustic highlight 'Move On'
had the song The Faces were too hungover to write.
But then that's what happens
if the first album you ever heard was 'Abbey Road.' My parents had some
bad records, explains Chris. But that one always stood out as great. I'd
sit there banging on these cushions with a pair of chopsticks playing
'Mean Mr. Mustard.' We formed an entire imaginary band, where we'd play
guitars on tennis rackets and do gigs. We were called The Boys, I think?
Such fantasy infuses Jet. Just
as Liam Gallagher remarked that BRMC deserved their early Oasis support
slots because they 'dared to look like a rock'n'roll band' so Jet see rock
music with a clarity only available to those who grew up five thousand
miles away in Australia. Where US and British bands subconsciously obey
the whims of a media for whom rock's central texts (Beatles, Stones) are
somehow seen as passˇ, Jet bring with them a lucidity and freshness that
comes from both youth and sheer Oz-centric bloodymindedness. Jet don't
know the rules, and even if they did, they'd break them.
Beginnings. Having grown up in the suburbs of Melbourne on a strict diet
of classic rock, the Cester brothers (Nic is three years older at 24)
found disaster looming. A terrible blight was about to hit the youth of
the Melbourne suburbs. Grunge. I couldn't stand the stuff, continues Nic.
To me that was real slit your wrists music. It didn't relate to this idea
of rock'n'roll I had in my head. I'd grown up loving The Who, The
Easybeats, The Faces and The Stones and these guys were taking music
somewhere I didn't want to go. They didn't have that feeling in the music
that all great bands have got. Oasis were the last ones.
A long spell in the netherworld of the Melbourne live circuit followed. At
the time I think we felt we weren't ever going to break free from that
scene, explains Nic. That's why songs like 'Radio Song' have got that
feeling of resignation about them. At the time it was unimaginable that a
band like ours would get any recognition at all. As with everything,
timing was all. Having recruited towering bassist Mark Wilson and sworn to
get serious Jet's first few shows coincided with the global success of
local heroes The Vines. With the A&R feeding frenzy fuelled by a
breathless review in the NME of debut single 'Take It Or Leave It'
describing it as a hybrid of the 'Rolling Stones and the balls-out stadium
rock of AC/DC' the band duly signed to Elektra, the very birthplace of
classic American rock.
The result is 'Get Born.' Produced by Dave Sardy (Dandy Warhols, Marilyn
Manson) at the legendary Sunset Sound Studios in LA, 'Get Born' is a
reminder of rock at its most primal, vibrant and honest. At its frantic
best: 'Get What You Need'; 'Are You Gonna Be My Girl'; 'Get Me Out Of
Here'; it hits you straight and deep in a manner to rival The Ramones.
Elsewhere with the Nic-penned 'Look What You've Done', the elegiac 'Radio
Song' and the ELO-ish 'Lazy Gun' they suggest the wistfulness of everyone
from Badfinger to Todd Rundgren after he called time on The Nazz.
Lyrically it's home to an epic wantonness to match legendary Oz-rockers
The Saints. When Nic growls I know we ain't got much to say in new single
'Are You Gonna Be My Girl' or Dance little deejay c'mon in 'Rollover DJ'
you can almost hear the female knees buckle and feel ten years of club
culture whither on the vine. We wanted to make a contemporary album,
states Chris. We didn't want to make a one dimensional rock'n'roll record
either. Albums should be able to reflect all sides of your personality,
that's why songs like 'Timothy' and 'Radio Song' are on there. We're
trying to get the same amount of emotion you get when you listen to an
album like Goats Head Soup. There are quieter moments and others where you
just want to go crazy.
Proof of their success came with a call halfway through recording from The
Stones camp offering the band the support slot on the Australian leg of
The Rolling Stones world tour. Clearly, Jet have got the roll.
I like the idea of 'Get Born' having two meanings adds Chris finally. Like
'Rubber Soul.' It's basically a reminder to forget your problems and
celebrate the moment instead. It's a rejection of all those feelings of
negativity or depression you might get. It's a heartfelt thing, and that's
where that primal energy comes through the music.
The choice is yours. Or, as Nic puts it so succinctly on 'Take It Or Leave
It': You better roll with whatever you know/ You better move/ If you don't
know what to do, here's the groove.
Jet Links
Jet's
Official Website |
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