|
|
Filmography
|
|
|
Rififi (2007)
Just out a prison, a career thief
(Pacino) finds his wife has left him, and in his anger begins to
plan a daring jewelry store heist.
|
|
Torch (2006)
A drama that delves into the
sensational relationship between young singer Ruth Etting and
Chicago bootlegger Moe Snyder in 1920s Chicago.
|
|
88 Minutes (2006)
A thriller about a college
professor who, while moonlighting as a forensic psychiatrist for
the FBI, receives a death threat telling him that he has only 88
minutes to live. In narrowing down possible suspects, he
frantically seeks to communicate with a problem student, an
ex-girlfriend, and a serial killer on death row.
|
|
|
Two for the Money (2005)
After suffering a career-ending
injury, a former college football star aligns himself with one of
the most renown bookies in the sports-gambling business.
|
|
|
William
Shakespeare's The Merchant of Venice (2004) Drama
138 min. Antonio offers to go into debt for a loan so
that his friend Bassanio can have enough money to impress
Portia, a woman he wishes to court and marry. Antonio goes
into debt to Shylock, a moneylender who demands a pound of
his flesh if he cannot pay back the loan.
|
|
|
Angels
in America (2003)
In transferring Tony
Kushner's Pulitzer Prize-winning play to the small screen,
director Mike Nichols has crafted a profound, ambitious
masterpiece. The film follows a sprawling group of
characters as they navigate their way through the cutthroat
New York City of the 1980s, when AIDS began to rear its ugly
head. Getting sicker by the minute, Prior Walter is
abandoned by his tormented lover, Louis (Ben Shenkman);
deluded lawyer Roy Cohn (Al Pacino) is visited by Ethel
Rosenberg (Meryl Streep), a woman he helped to condemn; and
the pill-popping Harper (Mary-Louis Parker) is on the verge
of losing her sanity when she realizes that her husband, Joe
(Patrick Wilson), is a closet homosexual.
Like the best works of art, Nichols' production doesn't
merely reflect a particular chapter in America's history. It
floats deeper, into a world where everyday feelings are
elevated to a spiritual realm. Already hailed as a modern
classic, ANGELS IN AMERICA is one of the medium's crowning
achievements.
|
|
|
Gigli
(2003)
Comedy and Crime/Gangster
2 hrs. 11 min. This character piece tells the story of
Gigli (Affleck), a hit man in Los Angeles eternally looking
for the big score. His latest scheme is the kidnapping of
the mentally challenged brother (Bartha) of a powerful
district attorney. Successfully getting the brother to his
seedy apartment, Gigli teams up with a woman (Lopez) he
presumes to be in the business as well... is she; and will
Gigli get away with this?
|
|
|
People
I Know (2003)
Drama
1 hr. 40 min. A New York publicist, Eli Wurman (Pacino),
whose career has seen better days, finds himself being
entangled in a mystery involving politics and celebrity.
|
|
|
The
Recruit (2003)
Action/Adventure and
Thriller
1 hr. 45 min. In an era when the country's first line of
defense, human intelligence, is more important than ever,
comes a thriller that gives an insider's view into the
CIA’s secret training ground: The Farm. James Clayton
(Colin Farrell) might not have the attitude of a typical
recruit, but he is one of the smartest graduating seniors in
the country – and he's just the person that Walter Burke
(Al Pacino) wnats in the Agency. James regards the CIA's
mission as an intriguing alternative to an ordinary life,
but before he becomes an Ops Officer, James has to survive
the Farm, where the veteran Burke teaches him the ropes and
the rules of the game. James quickly rises through the ranks
and falls for Layla (Bridget Moynahan), one of his fellow
recruits. But just when James starts to question his role
and decides to "wash out," Burke taps him for a
special assignment to root out a mole. As the suspense
builds toward a gripping climax, it soon becomes clear that
at The Farm, the CIA’s old maxims are true: "trust no
one" and "nothing is as it seems."
|
|
|
Stuck
on You (2003)
Comedy
2 hrs. 08 min. Bob and Walt Tenor are small-town legends
who excel at sports, and who are the proud owners of a
fast-food restaurant where their four hands work the grill
at lightning speed. When the acting bug bites Walt, he
convinces Bob to honor their childhood pact to never hold
back the other, and the brothers head west for the bright
lights of Hollywood. Bob and Walt make fast friends with
their sexy neighbor, who helps Walt land a grizzled agent
whose idea of a prime gig for Walt is a porn film. Things
finally begin to look up for Walt when the boys encounter
legendary diva--and Academy Award winning actress--Cher.
Looking to sabotage her new television series, of which she
wants no part, Cher casts Walt as her co-star. Instead of
dooming the show, Walt propels it to the top of the ratings,
and the brothers became instant celebrities. But their real
adventure is only beginning, as Bob finds romance with a
longtime cyber-pal, and the brothers make a decision that
will forev! er change their lives. Whatever happens to the
boys, one thing is certain: nothing will ever come between
them.
|
|
|
Chinese
Coffee (2002)
Drama
Two struggling Greenwich Village creative types, writer
Harry (Pacino) and photographer Jake (Orbach) have a
conversation that goes late into the night, in which they
discuss their personal history, love lives, etc. Among the
topics of conversation are the repayment of money that Jake
borrowed from Harry, the reasons neither is happily in a
relationship, and the status of Harry's latest book, which
happens to be based upon their own relationship...
|
|
|
Insomnia
(2002)
Drama
1 hr. 58 min. A sleep-deprived detective is sent to a
small Alaskan town to investigate the murder of a teenage
girl. Forced into a psychological game of cat-and-mouse by
the primary suspect, events escalate and the detective finds
his own stability dangerously threatened.
|
|
|
Simone
(2002)
Comedy and Drama
1 hr. 57 min. The career of a disillusioned producer,
who is desperate for a hit, is endangered when his star
walks off the film set. Forced to think fast, the producer
decides to digitally create an actress "Simone" to
sub for the star--the first totally believable synthetic
actress. The "actress" becomes an overnight
sensation, with a major singing career as well, and everyone
thinks she's a real person. However, as Simone's fame
skyrockets, he cannot bear to admit his fraud to himself or
the world.
|
|
|
Any
Given Sunday (1999)
Drama
2 hrs. 45 min. Although professional football provides
the action-packed backdrop of Any Given Sunday, the film
takes a simultaneously epic and intimate look at the men and
women who comprise the milieu of the film, from the
modern-day gladiators of the gridiron, their coaches and
often beleaguered families, to the moneyed team owners and
business concerns who attempt to control the game as big
business, to the hungry sports media, and hangers-on trying
to get a taste of the glamour.
|
|
|
The
Insider (1999)
Drama
2 hrs. 35 min. On the edge of exposing one of the
decade's most incendiary public health issues, "60
Minutes" television producer Lowell Bergman must
convince former tobacco industry insider Dr. Jeffrey Wigand
to reveal the truth about the practices of cigarette
companies, although the consequences to his career and
family may be ruinous.
|
|
|
Devil's
Advocate (1997)
Drama
2 hrs. 10 min. Promising young lawyer Kevin Lomax (Keanu
Reeves) has never lost a case--even when his client is
guilty. When Kevin is seduced away from his sleepy hometown
in Florida to work for a flashy, charming lawyer (Al Pacino,
in a role he seems born to play), his mother (Judith Ivey)
has reservations. But as he works his way up the corporate
ladder, Kevin manages to put them aside, along with his
wife's (Charlize Theron) needs and the stirrings of his
conscience over knowingly defending the guilty. However, his
vanity won't let him start losing now. As Kevin's career
skyrockets, his neglected wife Mary Ann begins to see evil,
violent visions. Hoping a visit from his mother will help,
instead Kevin finds himself confronted with a secret his
mother has never told him. As Mary Ann seemingly descends
into madness, Kevin begins to suspect his boss may be much
more than he seems, and he finds himself faced with a choice
between saving his own life and saving his soul.
Thought-provoking, inventive, and entertaining, director
Taylor Hackford's film is reminiscent of psychological
horror films like ROSEMARY'S BABY. Andrzej Bartkowiak's
lush, innovative cinematography complements the smart script
and dead-on acting.
|
|
|
Donnie
Brasco (1997)
Thriller and
Crime/Gangster
1 hr. 55 min. In the 1970s, FBI undecover agent Joe
Pistone infiltrates the mob, leaving his family behind and
assuming the false persona of the jewel man Donnie Brasco.
His assignment: to become a trusted insider with the
infamous Bonanno family by gaining the confidence of a
low-level gangster. Lefty Ruggiero is an aging, two-bit
hit-man who sees a new future for himself with the smart,
young thief Donnie Brasco and enlists him as his protege.
Together the two men enter into a camaraderie that will not
allow either one to distance himself emotionally. Meanwhile,
Donnie begins to get lost in the distance between his real
and undercover selves. As Donnie moves deeper and deeper
into the Mafia chain of command, he realizes he is not only
losing the line between federal agent and criminal, between
who he pretends to be and who he actually is, he is also
leading Lefty, his closest friend, to an almost certain
death sentence.
|
|
|
City
Hall (1996)
Drama
In this urban thriller the accidental shooting of a
six-year-old during an altercation between cops and a drug
dealer shakes a New York City mayor's office to its core, as
the resulting investigation unveils the seamy truths behind
political power-brokering and backroom deals.
|
|
|
Looking
for Richard (1996)
Drama
1 hr. 49 min. Moving from New York's streets to London's
reconstructed Globe Theater, and talking with everyone from
strangers encountered by chance to scholars and celebrated
actors, Al Pacino serves as the voluble, mercurial center of
a film that interweaves commentary on Shakespeare with
analysis of, rehearsals for, and key segments from, a film
version of Richard III.
|
|
|
Heat
(1995)
Drama and Crime/Gangster
Robert De Niro and Al Pacino are finally together on
screen in this riveting story about an intense rivalry
between expert thief Neil McCauley (De Niro) and volatile
cop Vincent Hanna (Pacino). McCauley will stop at nothing to
do what he does best and neither will Hanna, even though it
means destroying everything around them, including the
people they love. With a solid supporting cast that includes
Val Kilmer, Jon Voight, Ashley Judd, and Natalie Portman,
HEAT is a truly epic crime story.
|
|
|
Two
Bits (1995)
Drama
In this Depression-era drama a 12-year-old Philadelphia
boy, desperate for twenty-five cents to go to the opening of
a new movie theatre, has the two bits willed to him by his
grandfather, who announces he's going to die. Not wanting to
lose his grandpa, the boy spends the day trying to earn the
money and learning important life lessons. Alec Baldwin
narrates.
|
|
|
Carlito's
Way (1993)
Drama and Crime/Gangster
2 hrs. 24 min. Story about the Puerto Rican Mafia during
the 1970s. An ex-con tries to retire from his life of crime
but old ties seem to make it impossible.
|
|
|
Glengarry
Glen Ross (1992)
Drama
Times are tough at Premiere Properties. To initiate a
little incentive among the sales agents, Blake comes up with
a sales program. The winner gets a new Cadillac and the
loser gets unemployed.
|
|
|
Scent
of a Woman (1992)
Drama
Chris O'Donnell stars as Charlie Simms, a young and
innocent scholarship student at an exclusive prep school in
New Hampshire who agrees to look after Lt. Col. Frank Slade
(Al Pacino), a blind retired army officer, to earn extra
money over the Thanksgiving holiday. Frank is a cantankerous
and cynical bully who completely suprises Charlie with his
plans for their weekend. He has bought them tickets to New
York, booked a suite at the Waldorf, rented a limousine, and
has big plans for a wild weekend in the Big Apple. Before
Charlie realizes what he has gotten into, he is accompanying
the colonel around Manhattan as they begin their wild and
eye-opening adventures that include a fast-paced test drive
in a Ferrari and a tango with a beautiful woman (Gabrielle
Anwar). Frank's passion is women; he waxes lyrically on
their bodies, scent, and sensuality, and gradually Charlie
becomes aware of the sentimental romantic buried deep within
the lonely man's heart. Charlie and Frank's growing
relationship is the core of the film; Frank teaches Charlie
how to see, and Charlie teaches Frank how to feel in this
heart-wrenching and heartwarming comedy. Al Pacino is simply
stunning as Frank Slade, relying on his vocal power and
strong physicality to carry across a complex range of
emotions. He is both intolerable and completely lovable in
this Oscar-winning role of a lifetime.
|
|
|
Frankie
and Johnny (1991)
Comedy
In this adaptation of Terrence McNally's play, Johnny
(Al Pacino), an ex-con turned short order cook, woos Frankie
(Michelle Pfeiffer), a reluctant plain jane waitress. Set in
a dingy Manhattan diner, the story revolves around Johnny's
eager, won't-stop-at-anything attempt to draw the
embittered, recalcitrant Frankie out of her shell. As the
two loners inch closer to love, we learn about their past:
how Johnny landed in prison and what soured Frankie on men
and relationships.
|
|
|
Dick
Tracy (1990)
Action/Adventure and
Crime/Gangster
Warren Beatty directs and stars in this lavish
adaptation of Chester Gould's famous comic strip. Against a
stylized and solid color backdrop of 1930s Chicago,
straight-laced, square-jawed, detective hero Dick Tracy
battles gangster Big Boy Caprice -- and temptation in the
form of blonde bombshell Breathless Mahoney. Dick's
long-time girlfriend Tess Trueheart and a feisty street
urchin are on hand to offer support. With songs by Stephen
Sondheim, Madonna as Breathless Mahoney, and a vast array of
cartoon villains -- Mumbles, Pruneface, Lips, Flattop --
brought to life by a glittering cast of stars.
|
|
|
The
Godfather Part III (1990)
Crime/Gangster
Francis Ford Coppola's grand finale to the epic Mafia
saga once again stars Al Pacino as Michael Corleone, the
aging don of the infamous Corleone family. Michael is on the
verge of legitimizing the family business with the help of
his nephew, Vincent Mancini (Andy Garcia). However, failing
health and treacherous Mafioso colleagues Joey Zasa (Joe
Mantegna) and Don Altobello (Eli Wallach) keep him immersed
in the criminal life he had hoped to escape. Coppola
reunited many of the same cast and crew from THE GODFATHER
and THE GODFATHER, PART 2 in this continuing tale of family
crime
|
|
|
Sea
of Love (1989)
Drama
1 hr. 52 min. A New York police detective falls in love
with a suspect in a murder he is investigating.
|
|
|
Revolution
(1985)
Action/Adventure
Director Hugh Hudson's REVOLUTION is a tale of the
tumultuous American Revolution that vividly traces the war,
from its violent beginnings in 1776, to the bloody and
bitter victory in 1781 at Yorktown, as seen through the eyes
of one footsoldier. Al Pacino stars as Tom Dobb, a simple,
illiterate trapper who is swept into the war when his
beloved son, Ned (Dexter Fletcher), joins the independence
army. In an effort to protect his son, Tom joins up as well,
and the father and son experience the brutal first battles
together. What begins as a war that Dobb wants no part of,
becomes a true fight for freedom when his son is captured
and tortured by the British army. In rescuing his young son
and nursing him back to health, Tom learns the precious
price of freedom and takes up the fight with determination
and bravery. He is aided in his mission by Daisy McConnahay
(Nastassja Kinski), a young rebel from a family of upper
crust New York Tories who joins the fight with idealistic
hope and undaunting passion. Daisy follows the troops,
offering food and comfort as they fight for freedom,
becoming a spirited member of the rebel party. The hardships
that the men face on the front are shown with unblinking
accuracy. As the colonial farmers and tradesmen battle for
their new land, the great spirit of the rebel army is
captured in a rousing tribute to their unwavering fight for
freedom.
|
|
|
Scarface
(1983)
Drama and Crime/Gangster
Brian De Palma's blood-and-sun-drenched saga of a Cuban
deportee’s rise to the top of Miami's cocaine business has
become something of a popular classic since its release;
it's been referenced in rap songs and subsequent gangster
movies and quoted the world over. Despite this lovefest with
the dialogue, the film’s brutal violence and lack of
positive characters still make it controversial and disliked
by certain critics. Al Pacino stars as Tony Montana, whose
intelligence, guts, and ambition help him skyrocket from
dishwasher to the top of a criminal empire but whose
eventual paranoia and incestuous desire for his kid sister
(Mary Elizabeth Mastrantonio) prove his undoing. Michelle
Pfeiffer plays Tony’s neglected coke-addicted trophy wife,
and Steven Bauer is his concerned friend. F. Murray Abraham,
Robert Loggia, and Paul Shenar are some of Tony’s sleazy
business partners and potential killers. Oliver Stone wrote
the expletive-packed screenplay, based on Howard Hawks’s
1932 version--which was ostensibly about Al Capone and
starred Paul Muni and George Raft. The synth-heavy Giorgio
Moroder score expertly evokes the drug-fueled decadence of
1980s Miami, and De Palma provides several of his elaborate
set pieces, including a horrific showstopper in a motel room
with a chain saw.
|
|
|
Author!
Author! (1982)
Comedy
The wife of a struggling playwright abandons her
husband, his son, and her four children from a previous
marriage. Al Pacino compassionately plays the role of the
author whose fierce determination allows the family unit to
remain intact.
|
|
|
Cruising
(1980)
Drama
Perhaps the most controversial film of its time due to
its portrayal of homosexuality, the story follows a cop as
he enters Manhattan's gay scene in search of a psychotic
killer.
|
|
|
And
Justice for All (1979)
Comedy
Pacino balances a performance between comedy and bleak
despair when he adds a thoroughly detestable judge accused
of rape to his already miserable client list. Maybe intended
as satire, maybe not. Lahti's debut film role. Academy Award
Nominations: Best Actor--Al Pacino.
|
|
|
Bobby
Deerfield (1977)
Drama
In this off-kilter drama, Al Pacino stars as jaded
racecar driver BOBBY DEERFIELD. While Deerfield's stamina
and adroit driving skill propel him to champion status, his
lover Lillian (Marthe Keller) is dying from a fatal disease.
Unable to cope with it all, Deerfield turns to Lydia (Anny
Duprey), an obsessed fan, for comfort.
|
|
|
Dog
Day Afternoon (1975)
Drama and Crime/Gangster
Covers events from August 22, 1972; Produced and
released in 1975.
Al Pacino plays a ferocious and fed-up bank robber in
Lumet's classic film DOG DAY AFTERNOON. Balancing suspense,
violence, and humor, the film's depiction of a grand-scale
media event craftily dives from the political to the
personal, evoking a piercing portrait of a man and his
devastating downward tumble as seen through the media circus
that Lumet made a career of chronicling. Pacino is
heartbreakingly real as Sonny, a smart yet self-destructive
Brooklyn tough whose plan to rob the local bank to fund his
male lover's (Chris Sarandon) sex change goes absurdly
wrong. Accompanied only by his doltish accomplice, Sal (John
Cazale), Sonny resorts to kidnapping a handful of bank
employees when he realizes that all the money had been
removed before his arrival. As the lengthy August day drags
on, Sonny and hordes of local police, led by Sergeant
Moretti (Charles Durning), make little progress, and
eventually Sonny's wife and lover are brought to the scene.
The crowd's sympathy is immediately captured by the
charismatic Sonny, whose antagonism with the police is
played out before an audience of millions, leading to an
inevitably tragic finish.
|
|
|
The
Godfather Part II (1974)
Crime/Gangster
Francis Ford Coppola's compelling sequel lives up to the
brilliance of THE GODFATHER, contrasting the life of
Corleone father and son. In parallel story lines the movie
traces the problems of a matured Michael Corleone (Al Pacino)
in 1958 and that of young immigrant Vito Corleone (Robert De
Niro) in 1917's Hell's Kitchen. Vito is introduced to a life
of crime by two-bit hood Clemenza (Bruno Kirby) while
Michael survives an attempt on his life, familial betrayals,
and Senate hearings...but at a cost. De Niro, speaking
almost completely in Italian, is charismatic as the young
Don, a Robin Hood-type figure.
|
|
|
Scarecrow
(1973)
Drama
Former photographer Jerry Schatzberg follows up his
explosive directorial debut THE PANIC IN NEEDLE PARK with
SCARECROW, which captured the Grand Prize at the 1973 Cannes
Film Festival. Opening on a desolate highway, two drifters
stumble into each other, and decide to hitchhike together
across the country. Max (Gene Hackman), just released from
prison, wants more than anything to own a car wash in
Pittsburgh, staying out of trouble and living his life as an
honest man. Lion (Al Pacino), who has returned from working
at sea, dreams of reuniting with the wife and daughter he
left behind years ago in Detroit. Embarking on their
strange, confused journey, the dusty pair encounters a cast
of peculiar characters as they struggle to reach their
destinations (including a stop-off at Hackman’s sister’s
house in Colorado). In the end, after beginning to accept
the truth--that their dreams are not going to come to
fruition--they find friendship, trust, and love, giving
their lives justification.
|
|
|
Serpico
(1973)
Drama
Covers the period from 1960-1972; Produced and released
in 1973.
Shot on location on New York City's crime-filled streets,
Sidney Lumet's gritty 1973 masterpiece SERPICO, based on
Peter Maas's book, is a rousing portrait of courage in the
face of insidious corruption, initiating a motif that Lumet
would continue to mine in PRINCE OF THE CITY. Al Pacino is
forcefully real as Frank Serpico, an independent young
recruit entering the police force in the late 1960s,
fulfilling a childhood dream. The good old boys of the NYPD
lose no time in initiating Serpico in the ways of cutting
corners, forging documents, and taking payoffs from local
gambling operations and narcotic rings. His refusal to take
illegal protection money and his counterculture lifestyle
make Serpico a target for harassment by his unified and
powerful peers. Lumet hones in on the evocative details of
Serpico's personal struggles and inner turmoil as his
obsessive fight for truth begins to have disastrous effects
on his personal life and threatens his safety.
|
|
|
The
Godfather (1972)
Drama and Crime/Gangster
Based on the best-selling novel by Mario Puzo (who
co-wrote the screenplay with director Francis Ford Coppola),
THE GODFATHER is an epic tale of Mafia life in America
during the 1940s and '50s. Vito Corleone (Marlon Brando) is
the family patriarch balancing a love of his family with an
ambitious criminal instinct. At the wedding of the Don's
daughter Connie (Talia Shire), youngest son Michael (Al
Pacino) is reunited with his family. After an assassination
attempt leaves the Don too ill to run the family business,
Michael and Sonny (James Caan), with the help of consigliere
Tom Hagen (Robert Duvall), lead the Corleones into a
vendetta-filled war with other mob families. Violent revenge
ensues as the family tries to change from its old criminal
ways into legitimacy. Diane Keaton, in a stark departure
from her usual comedic roles, plays Kay, the long-suffering
wife of Michael Corleone. Brilliant casting, music, and
storytelling help make THE GODFATHER a classic.
|
|
|